Edit

Game Changer

Game Changer
  • 20 Jan 2025 04:11 AM

About the movie

Cast & Crew

SS Thaman
Music
Shankar
Director
Di Raju
Producer
Shankar
Written By

Movie Description

an art of sound in time that expresses ideas and emotions in significant forms through the elements of rhythm, melody, harmony, and color. the tones or sounds employed
an art of sound in time that expresses ideas and emotions in significant forms through the elements of rhythm, melody, harmony, and color. the tones or sounds employed
an art of sound in time that expresses ideas and emotions in significant forms through the elements of rhythm, melody, harmony, and color. the tones or sounds employed
Gunturu Kaaram

Gunturu Kaaram

Guntur Kaaram is a 2024 Indian Telugu-language action drama film written and directed by Trivikram Srinivas and produced by S. Radha Krishna through Haarika & Hassine Creations. It features Mahesh Babu, Sreeleela, Meenakshi Chaudhary, Prakash Raj, Ramya Krishna, Jayaram, Jagapathi Babu, Sunil and Rao Ramesh.

Read More →
CHeck in buzz

CHeck in buzz

CHeck in buzzCHeck in buzzCHeck in buzzCHeck in buzzCHeck in buzzCHeck in buzzCHeck in buzzCHeck in buzzCHeck in buzzCHeck in buzzCHeck in buzzCHeck in buzz

Read More →
Court – State Vs. A Nobody – An engaging courtroom drama

Court – State Vs. A Nobody – An engaging courtroom drama

Court: State Vs. A Nobody is the latest Telugu courtroom drama featuring Priyadarshi as the lead. With its intriguing trailer, the film garnered significant expectations. Now that it has hit the theatres, let’s see how it fares in our review. Story: Set in 2013 in Visakhapatnam, Mettu Chandrashekar (Harsh Roshan), also known as Chandu, is the son of a watchman and earns his living by doing various jobs. Jabilli (Sridevi Apalla), a student from a respectable family in the same city, crosses paths with him. An incident leads her to tease Chandu, and they gradually start talking over the phone. One day, Jabilli’s uncle Mangapathi (Shivaji), a caste fanatic blinded by honour, discovers that she is in Chandu’s house. Enraged, he gets Chandu arrested and attempts to ruin his life by falsely applying the POCSO Act against him. As the case intensifies, the victim’s family seeks the help of Vijayawada lawyer Surya Teja (Priyadarshi), an assistant to the senior advocate Mohan Rao (Sai Kumar). What happens next? Does Surya Teja prove Chandu’s innocence? Why is Mangapathi so ruthless towards Chandu? How does the courtroom battle unfold? Does Chandu get justice? The answers lie in the main film. Plus Points: Director Ram Jagadeesh deserves appreciation for crafting a meaningful courtroom drama. Despite this being his directorial debut, he handles the narrative well, particularly in the courtroom sequences, which are well-written and engaging. The next highlight is the performances. The director has written the character of Mangapathi exceptionally well. Shivaji, in the role of a caste-driven and cruel man willing to go to any extent for his family’s honour, delivers one of the finest performances of his career. His portrayal is so convincing that many might relate it to real-life figures.   Young actor Harsh Roshan gets another interesting role, and the movie revolves around his character. His performance in the love scenes and his conversations with Sridevi Apalla, who plays Jabilli, are commendable. On the other hand, Sridevi looks beautiful and carries her role with charm. The main highlight of the movie is Priyadarshi, who plays Surya Teja, a competent lawyer. Once again, he gets an interesting role and delivers a compelling performance. His dialogue delivery is neat, and during the courtroom proceedings, his expressions speak louder than words. It is a remarkable role in his career. Actor Harshavardhan is equally impressive alongside Priyadarshi. His courtroom sequences are impactful. Other supporting actors, including Surabhi Prabhavati, Sai Kumar, and Rajasekhar Anigi, fit their roles well and do justice to their characters. The climax is one of the most well-written scenes, where the director effectively presents the public’s perspective on law and emphasises the importance of legal awareness in a thought-provoking manner.

Read More →
Family Star

Family Star

The Family Star received generally negative reviews from critics, who heavily criticised Parasuram's writing and direction, second half, weak comedy, plot, soundtrack, and the lead cast's performances. A critic from News18 rated the film three-and-a-half out of five stars and wrote that "Vijay Deverakonda and Mrunal Thakur's solid on-screen chemistry receives much love and appreciation from the audience".[22] Paul Nicodemus from The Times of India rated the film two-and-a-half out of five stars and wrote that "Family Star, despite its promising setup and strong performances, ultimately falters due to its unengaging screenplay and lack of emotional depth in key relationships".[23] Avad Mohammad from OTTplay rated the film two-and-a-half out of five stars and wrote that "On the whole, Family Star is a routine romantic drama with a decent first half. The second half goes for a toss and leaves the audience disappointed. A few family-oriented scenes are good, and the film might cater to the target audience this holiday season".[24] A critic from 123Telugu rated the film two-and-three-quarters out of five stars and wrote that "On the whole, The Family Star entertains to a certain extent. Vijay Deverakonda and Mrunal Thakur deliver fine performances".[25] Arjun Menon of Rediff.com rated 2/5 stars and observed, "There is only so much that Vijay Deverakonda is allowed to work on from a clueless script that bounces from one wrong choice to another."[26] Abhilasha Cherukuri from Cinema Express rated the film one-and-a-half out of five stars and wrote that "Despite its assembly line of shortcomings, Family Star could have still critic-proofed its way to success, had the makers taken the film a bit more seriously".[27] Balakrishna Ganeshan from The News Minute gave the film the one-and-a-half out of five stars and wrote that "Overall, Vijay Deverakonda’s Family Star is headache-inducing if not triggering".[28] A critic from Telugucinema.com wrote that "Family Star draws in us in the first half with its enthralling romance between the lead pair and a well-executed plot twist at the interval. But the slow-paced narrative and excessively lengthy runtime in the second half undo everything".[29] A critic from Sakshi Post rated the film two out of five stars and wrote that "Watch it at your own risk. Outdated and annoying the film is".[30] Neeshita Nyayapati from the Hindustan Times wrote that "Family Star could’ve been a simple, earnest film about a man taking up the responsibility of a massive family and finding love".[31] Raghu Bandi from The Indian Express rated the film two out of five and wrote that "Given the film is designed as a blockbuster with Dil Raju producing, the middle-class sensibilities often slip, revealing it to be the big extravaganza it was always meant to be".[32] Sangeetha Devi Dundoo from The Hindu wrote that "Family Star does no justice to the family quotient or the star material. It is an interesting idea to raise a toast to the star of every middle-class family but that idea is lost in a film that gets progressively boring and tests your patience".[33] Janani K from India Today rated the film two out of five stars and wrote that "The Family Star is enjoyable in parts, thanks to Vijay Deverakonda's camaraderie with his grandmother and a few funny sequences. However, its pacing and conflict could have lifted the film to another level".[34]

Read More →
G2

G2

Nani in an interview revealed that while the previous films in the HIT franchise were whodunit (who committed the crime) thrillers where the investigation started and the killer was revealed only in the end, HIT 3 was not about 'who' but about 'how'. He further added that the film did not justify police brutality.

Read More →
AD
AD
AD
AD
AD
AD
AD
AD
AD
AD
AD
AD
AD
AD
AD